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Lavinia Fontana Self Portrait. 2 I think Fontana felt some pressure at this time since she was marrying into a family which held a higher social status. Born in Bologna Lavinia was the daughter of Prospero Fontana a Bolognese artist who trained her in the Mannerist style. These paintings are an important addition to the collection as the earliest works of art by a named woman artist. Fontanas earliest self-portrait is quite unique since it was created as a marriage portrait.
Lavinia Fontana Self Portrait At The Clavichord With A Servant 1575 Renaissance Paintings Fontana Renaissance Music From pinterest.com
This worldly renowned artist was born in the late sixteenth century at a time where women had very little clout when it came to expressing themselves through art. Fontana Lavinia 1552 1614 Italian painter of the late Renaissance. Fontanas innovative Self-Portrait Making Music with a Maid-servant differs considerably from the image projected by her old-er counterpart Sofonisba Anguissola c. Fontana studied with her father Prospero Fontana c. Fontanas earliest self-portrait is quite unique since it was created as a marriage portrait. Fontanas self-portraiture strikes a balance between presenting the artist as a distinguished lady and as a professional artist.
Lavinia Fontana 15521614 Self-Portrait at the Clavichord with a Servant 1577 oil on canvas 27 x 24 cm Rome Accademia di San Luca.
Fontanas innovative Self-Portrait Making Music with a Maid-servant differs considerably from the image projected by her old-er counterpart Sofonisba Anguissola c. It was painted as a betrothal gift to the Zappi family as evidenced by Fontana describing herself as a virgin in the signature and stating that she painted while looking at herself in a mirror as a testament to the accuracy of the depiction. It belongs to Count Zappi of Imola the family into which Lavinia married. Painted two years before the tondo Lavinia Fontanas musical self-portrait was also directed to a particular individualher future father-in-law Severo Zappi. Therein she is elegantly dressed in lace and jewels and studying archeological finds on shelves and a table likely as preparation for sketching them. In this fashion Fontanas Self-Portrait at Clavichord is not a simple self-portrait but a brilliant piece of advertising and self-promotion ensuring her status as a competent portraitist a clever painter and a woman worthy of respect and admiration.
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Fontana studied with her father Prospero Fontana c. Painting by Lavinia Fontana. Born in Bologna Lavinia was the daughter of Prospero Fontana a Bolognese artist who trained her in the Mannerist style. For 20 years beginning in the 1580s Fontana was the portraitist of choice among Bolognese noblewomen. Art historians and scholars who have analyzed her work note her apparent choice to depict herself modestly and as a traditional wealthy woman.
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It was created by Lavinia Fontana. 1535-1625 in her simi-larly titled self-portrait 1561. The list of requirements for a potential husband was equally long. Lavinia Fontana 15521614 Self-Portrait at the Clavichord with a Servant 1577 oil on canvas 27 x 24 cm Rome Accademia di San Luca. Painting by Lavinia Fontana Museum.
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Fontana Lavinia 1552 1614 Italian painter of the late Renaissance. 151297 a minor painter of the school. It was created by Lavinia Fontana. Earlier this year the SCMA acquired two small portraits by the Italian Renaissance artist Lavinia Fontana 15521614. I wrote about this painting on a guest post at Three Pipe Problem a few years ago and I regularly use this self-portrait when I discuss Renaissance art with my students.
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16 Fontanas picture al-though it appears to repeat Anguissolas conventions is also a. The Self-Portrait at the Clavichord with a Servant is considered to be her masterpiece. Lavinia Fontana Portrait of a Noblewoman illustrates Lavinia Fontanas ability to render sumptuous clothing and jewels in astonishing detail. She was one of the first women to execute large publicly commissioned figure paintings. For 20 years beginning in the 1580s Fontana was the portraitist of choice among Bolognese noblewomen.
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Therein she is elegantly dressed in lace and jewels and studying archeological finds on shelves and a table likely as preparation for sketching them. For 20 years beginning in the 1580s Fontana was the portraitist of choice among Bolognese noblewomen. It was created by Lavinia Fontana. Fontanas innovative Self-Portrait Making Music with a Maid-servant differs considerably from the image projected by her old-er counterpart Sofonisba Anguissola c. Assumption of the Virgin by Lavinia Fontana 1584 Palazzo Comunale Imola.
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Created as a marriage portrait for her future husband and his family the picture shows Lavinia attired in an elaborate. 151297 a minor painter of the school. Self-Portrait at the Spinet 1577 Self-Portrait in a Studio 1579 Portrait of the Gozzadini Family 1584 and several Portraits of Bianca Capello. Fontanas self-portraiture strikes a balance between presenting the artist as a distinguished lady and as a professional artist. For 20 years beginning in the 1580s Fontana was the portraitist of choice among Bolognese noblewomen.
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Lavinia Fontanas Self Portrait at the Keyboard of 1577. It belongs to Count Zappi of Imola the family into which Lavinia married. The contrast between the woman and the paintings plain dark background is especially strong ensuring that viewers will focus on. It too is smallabout 108 x 96 inches in dimension. She also painted likenesses of important individuals connected with the University of.
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The list of requirements for a potential husband was equally long. Therein she is elegantly dressed in lace and jewels and studying archeological finds on shelves and a table likely as preparation for sketching them. 151297 a minor painter of the school. Lavinia Fontanas self-portrait from 1579 has long been of interest to me. Assumption of the Virgin by Lavinia Fontana 1584 Palazzo Comunale Imola.
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The contrast between the woman and the paintings plain dark background is especially strong ensuring that viewers will focus on. Her self-portrait in youth she was said to have been very beautiful was perhaps her masterpiece. Lavinia Fontana born 1552 Bologna Italydied August 11 1614 Rome Italian painter of the Mannerist school and one of the most important portraitists in Bologna during the late 16th century. Self-portrait in Uffizi is an artwork on USEUM. Painted two years before the tondo Lavinia Fontanas musical self-portrait was also directed to a particular individualher future father-in-law Severo Zappi.
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Self-portrait in Uffizi is an artwork on USEUM. Born in Bologna Lavinia was the daughter of Prospero Fontana a Bolognese artist who trained her in the Mannerist style. Lavinia Fontanas Self Portrait at the Keyboard of 1577. He must be of good moral repute and high social standing willing to marry an artisan content to live in his father-in-laws house and prepared to accept his future. Self-portrait is an artwork on USEUM.
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It was created by Lavinia Fontana. The Self-Portrait at the Clavichord with a Servant is considered to be her masterpiece. Self-portrait is an artwork on USEUM. Fontanas earliest self-portrait is quite unique since it was created as a marriage portrait. Such qualities are reflected in Fontanas self-portrait that now hangs in the Uffizi Gallery at Florence.
Source: pinterest.com
It too is smallabout 108 x 96 inches in dimension. For 20 years beginning in the 1580s Fontana was the portraitist of choice among Bolognese noblewomen. Created as a marriage portrait for her future husband and his family the picture shows Lavinia attired in an elaborate. She also painted likenesses of important individuals connected with the University of Bologna. It belongs to Count Zappi of Imola the family into which Lavinia married.
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Cantaro Lavinia Fontana Bolognese pittora singolare 1552-1614 Rome 1989 no. Painting by Lavinia Fontana Museum. Leonardo Di Vinci said Painting excels and is superior in rank to music because it does not perish immediately after its creation as happens unfortunately with. Assumption of the Virgin by Lavinia Fontana 1584 Palazzo Comunale Imola. He must be of good moral repute and high social standing willing to marry an artisan content to live in his father-in-laws house and prepared to accept his future.
Source: pinterest.com
These paintings are an important addition to the collection as the earliest works of art by a named woman artist. 16 Fontanas picture al-though it appears to repeat Anguissolas conventions is also a. She sits at a virginal in a fine elegant dress with her maid servant holding a book of music. Her most famous portraits include. Lavinia Fontana Portrait of a Noblewoman illustrates Lavinia Fontanas ability to render sumptuous clothing and jewels in astonishing detail.
Source: pinterest.com
Lavinia Fontana born 1552 Bologna Italydied August 11 1614 Rome Italian painter of the Mannerist school and one of the most important portraitists in Bologna during the late 16th century. Painted two years before the tondo Lavinia Fontanas musical self-portrait was also directed to a particular individualher future father-in-law Severo Zappi. Fontanas self-portraiture strikes a balance between presenting the artist as a distinguished lady and as a professional artist. 1535-1625 in her simi-larly titled self-portrait 1561. I wrote about this painting on a guest post at Three Pipe Problem a few years ago and I regularly use this self-portrait when I discuss Renaissance art with my students.
Source: pinterest.com
Fontanas earliest work though lost is said to be a piece titled Child of the Monkey from around 1575 but another work Holy family also takes that claim. Fontanas earliest work though lost is said to be a piece titled Child of the Monkey from around 1575 but another work Holy family also takes that claim. Lavinia Fontana Portrait of a Noblewoman illustrates Lavinia Fontanas ability to render sumptuous clothing and jewels in astonishing detail. The Self-Portrait at the Clavichord with a Servant is considered to be her masterpiece. Created as a marriage portrait for her future husband and his family the picture shows Lavinia attired in an elaborate.
Source: pinterest.com
Cantaro Lavinia Fontana Bolognese pittora singolare 1552-1614 Rome 1989 no. Self-portrait is an artwork on USEUM. Earlier this year the SCMA acquired two small portraits by the Italian Renaissance artist Lavinia Fontana 15521614. Her most famous portraits include. The list of requirements for a potential husband was equally long.
Source: pinterest.com
I wrote about this painting on a guest post at Three Pipe Problem a few years ago and I regularly use this self-portrait when I discuss Renaissance art with my students. Fontana studied with her father Prospero Fontana c. This worldly renowned artist was born in the late sixteenth century at a time where women had very little clout when it came to expressing themselves through art. The present picture is a fine studio replica of the earliest known self-portrait by Lavinia Fontana painted in 1575 and now preserved in a private Roman collection MT. Fontanas self-portraiture strikes a balance between presenting the artist as a distinguished lady and as a professional artist.
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